If you’ve ever wondered how a bass line can elevate a track from great to unforgettable, check out my latest cover of Kirk Franklin’s iconic song, “Spiritual.” Inspired by the masterful bass work of Matt Ramsey, my version closely mirrors his original, with only a few subtle changes. Both the original and my cover are […]
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Here is my latest bass cover of “Great Are You Lord” by One Sonic Society. This worship anthem’s bass line, while understated, is pivotal in driving the song’s rhythm and depth. In my rendition, I aimed to honor the original groove while infusing my own flavor with subtle variations. It’s a testament to how a
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Elevate the Groove: My Enhanced Bass Arrangement of Michael Jackson’s “Working Day and Night” After years of playing the bass line for Michael Jackson’s “Working Day and Night,” I’ve crafted a fresh slapping arrangement that stays true to Louis Johnson’s original groove while infusing it with a bit of my own personality. This video showcases
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Dorian is the second mode in the major scale but what is the sound of Dorian? I’m not talking about what does it sound like when you play the scale, that’s pretty easy to get down. What I’m talking about is how would you use that scale to make a bass line or a groove?
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In order to capture the sound of this bass line I would recommend playing a P-Bass with flat wound strings (old ones if you have a set). If you play with round wounds I would play the line using a palm muting technique (see last part of video for explanation) and your tone control turned all the way
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There are lots of great bass lines that have been played over the years on different recordings that are memorable for many different reasons. The Payback bass line played by Fred Thomas is definitely one of the greats. One of the good things about this bass line is the use of space, or rests in your playing. The space you
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